Closed-Door Politics at Warner Bros.

As outsiders to Hollywood board-room politics, I claim to come from nowhere else “but Bumfuck, America” as do most people. Just think: the swank suits, sunglasses, and constant industry shorthand talked into a cell-phone as they cruise down Hollywood boulevard in a fire-apple red convertible.

Or at least that’s the impression of agents. If not “industry suits”, maybe?

But in the world of Beetlejuice 2– and get this– you could see the offices as a kind of galactic room of maggot-like gladiators, debating over the fate of the movie and breaking what is known as “The Fourth Wall” and deliberating in front of the camera like on the wavelength of Darth Vader or whatever.

It’s none-other than GWAR– the foam-rubber monster shock-rock band. And if “buckets o’ blood” isn’t “gimmicky”, than what else is?

Yes, overlords unto cruel, crude fate as they summon in one writer after another and have them beheaded– even as the crowd gathers outside of the “Beetlejuice Returns” premier, hungry for a sequel “that hasn’t even been written yet”.

So a surreal exercise, a bit like that movie theater scene in “Blazing Saddles” with radical shifts in audience perspective– both the audience “in the movie”, and then one day when the film actually plays before a living, breathing audience.

And where is Beetlejuice?

Conked-out and snoring in a coffin as the movie-going audience starts chanting his name– a delay before the narrative starts– and boy, do we have some great surprises for you.

So keep following this blog and we’ll explore more ookey, kooky, creepy levels of all things “Beetlejuice” as we’re so glad to have you as readers.

Until then, “don’t you go changin'” and we’ll return tomorrow.

Closed-Door Politics at Warner Bros.

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