(Or maybe not)…..
we must make a movie pleasant to the sensibilities of the ticket-buying public.
Here’s an Article about How Harry Belafonte got involved with the original “Beetlejuice”.
Karma, Purgatory, Bureaucracy
“Just another number”.
Be there “no Karma about it” but THE RECENTLY DECEASED will hit that old after-life office with the thud of paperwork.
(Reminds me of the ole’ Social Security office)
Franz Kafka couldn’t have said it better, whether just the victim is mad or “THE SYSTEM”, itself is even crazier. . . . . and remember, that guy in the “Metamorphosis” story did turn into an insect. OR EVEN A BEETLE.
A lot of people “kill time” in the waiting room, bearing the incarnation they took when “struck-down, mortally”. The visual cue—its own kind of karma whether you’re a shrunken-head on the leash of a witch-doctor as it didn’t end well for the big game hunter.
Don’t go smoking in bed, either—or take poison which will turn you into an icky, translucent green like the secretary behind the sliding window.
Perky, pert, and sarcastic—if not despondent in this perfect illustrated example of the mind/body and material/spiritual splits that cleaves the world into an alienated hell.
Ole’ Beetlejuice pops his head in and takes a seat. I’d imagine him probably sticking his hand down the front of his pants like Al Bundy in “Married with Children”. Half-resourceful or maybe just fool-hardy “no one will notice” as he lopes across the parking lot to grab a cooler of beer.
You’d imagine he’d only lose his place in line.
Solely the balance between evidence and lyricism can allow us to achieve simultaneous emotion and lucidity. . . . . but there he hollers at his loss.
In this last week, we’ve lost Chris Cornell—the singer from Soundgarden—and Roger Ailles—the chairman of Fox News. Only out of an episode of “Adult Swim” could these figures every encounter each other.
The moody rock singer leans up on the chair, hang-dog with his hands stretched over his knee while the right-wing chieftain tries to bluster and glad-hand his way out of federal commitment for dinner reservations “elsewhere”.
There’s only a few things certain in this life. . . . . death, taxes, and irate constituents.
End up here and you have to meet your quota of lingering, ghostly “overtime” back on earth. Spook the hell out of the living for a spike of adrenaline and ecto-residue that kicks into your early retirement, building enough parasitically-fueled power to ascend up the spiritual pyramid to eternal bliss.
Sounds like Medicare and Social Security.
You’ll pay though. . . . . they’ll take everything “but the squeal”.
Death. Taxes. Hollywood sequels. . . . .
Welcome to America. You could die laughing. . . . .
Wal-mart. . . . . box-store of enchantment. And number 1 employer of what you and I know as “THE RED-STATE EXPERIENCE”. Never has someone had to show such gung-ho, merry customer service for serfdom as you otherwise have employees in blue-vests singing “Zippity Do-Dah” out of their assholes, “Mousketeer” style– with a kazoo.
Maybe “working for someone else” is merely getting yourself forced along “by someone’s obsession”, be that customer service or the retail mission statement like giddy “Jim Jones” cults for customer savings. Indeed, irony has little place here and even Beetlejuice has to “get with the program”.
Cribbing a bit from the fellow Warner Bros. property, “National Lampoon’s Vacation” you had “Wally-World” standing in for Disneyland with a cartoon moose as company spokesman. The happiest place on earth– open 365 days a year. Only in the movie, the family straggled in to find the park closed for a couple of weeks for maintenance and repair. . . . .
But make no mistake, Wal-Mart is open 365 days a year.
Why not call it “Small-Mart”? Yeah right, the largest box-store of its kind that stretches several football fields in length. You’d better keep Beetlejuice supervised amid all that “moral hazard” and easy thievery.
Smile, you’re on surveillance camera! Believe me, if someone thought of it– store security has set-up countermeasures to stop “shrinkage”. Think of a poster in the break-room of a troll-toothed bulldog brandishing a hockey stick and batting away “free scores” to keep the larger “goal” of staying competitive. Rolllff!
Of course, that doesn’t stop some mischievous cretin to hacking into the intercom system and playing the sound-FX from pornographic-movies while the manager scurries-around, trying to shut-down the public address system.
All sorts of stunts back there in the stock-room. Nailing a wallet to the floor and tricking some sucker into bending-over and straining his back.
Or kicking-around empty boxes like a deranged soccer match as the electronic board side-sweeps “Work is Fun!” across the sign. Tape up a piece of cardboard with work is (F)ucked squiggled in with a marker to give it an entirely-different meaning.
They don’t even have the easy jobs anymore where a retiree sits in a wheelchair and greets customers at the wide front-doors. Instead you have receipt-checkers halting customers to prevent “more shrinkage”. Such, such are the ways of the corporate retail world.
Lower prices, happier savings. . . . . ALWAYS.
A busy holiday season has kept me away from my own personal blogosphere, yet feeling that ole’ “writer’s itch” to come back. . . . . and post-up some more ravings “from the mad monk, himself”. Maybe I needed a break but we’ll be back tomorrow as if this subject hasn’t been flayed-to-death, yet. I believe in Beetlejuice. I believe in me.
Winona Ryder was born on this day, two days before Halloween in 1971.
What a tribute, more fitting– than her cameo appearance in the wacky, rockabilly video that ended up getting banned on MTV. . . . . None other than “Debbie Gibson is Pregnant with my Two-Headed Love-Child” which is about the kookiest thing you’d ever seen.
There, with mischievous energy like a Romanian punk princess in fairy tales “funking-out” in a wedding dress and a Spuds McKenzie look-alike, the dog from Budweiser commercials. Mojo Nixon, The Dead Milk Men, Tom Waits, and The Replacements are some of her favorite acts as it speaks to alt/indie cred like cerebral noshing on guitar riffage and authenticity.
Two-headed, like a sequel. . . . . . a labor of “love”, right?
To her unconventional graces, we salute her birthday. She turns 44 is was always “a big kid, at heart”. She’ll return in “Beetlejuice 2”, surely as folks live their alternative death-rock lifestyles well into later years. I wouldn’t have it any other way.
A link– to the essential core of her movies, best known. . . . .